CHRONOMORPH

(2026) Nizhny Novgorod‍ ‍

A sculptural multimedia installation created at the intersection of performative art, engineering, and philosophy. It becomes a living architecture of time — a chronoform: a body in transformation, a machine of perception, and a witness to the fragile dialogue between humans and artificial intelligence.

The work is inspired by Richard Brautigan’s iconic poem All Watched Over by Machines of Loving Grace, in which the future appears as a utopian symbiosis of nature and technology:

“I like to think (and the sooner the better!) of a cybernetic meadow where mammals and computers live together in mutually programming harmony…”

In this work, trust, progress, and memory are embodied not through words, but through matter and light, movement and engineered structure. CHRONOMORPH exists on stage as a character — a technological archetype reflecting human inner states, the urge to keep pace with progress, and the uncertainty of who will ultimately share the fate of creation: artificial intelligence or its creator. PANTERRA is an artistic practice working at the intersection of spatial installations, architecture, and technological environments. The project focuses on creating configurations and objects in which a holistic system of perception emerges.

The work was exclusively created in collaboration with @performa_moscow and continues its life in a new interpretation at @intervalsfest.