MASS-IV 001

The installation invites the viewer into a data stream. Its tilted, horizontal structure appears as a fragment torn from a larger system—an antenna or interface remnant, embedded into the urban landscape from an alien dimension.

It does not communicate; it transmits. Headlines, signals, fragments of digital memory pass not into the mind, but directly into the body. The stream is endless—no sender, no receiver—just the persistent rhythm of information becoming material.

This is not a machine, but its nervous system exposed. A glitch. A residue of future infrastructure still broadcasting without purpose. Light, metal, and cables form a chaotic syntax of overstimulation—alive, yet unreadable.

The object resists meaning. It questions the boundary between signal and medium, suggesting that we already live inside the channel itself—where noise has replaced clarity, and the interface has become the message.